Murray’s work Chi Fii Embraces the Old Ones occupies the gallery as a photographic installation. The wall-height photographs depict two hammer stones wrapped in beaded daisy chains, one resting atop fur. In Cree and other epistemologies, stones are grandfathers. Here, too, we witness the artist as a daisy chain, in this instance, wrapped around a loved one. The large scale of the work ensures an o…